We Compost Weekend 6-7 September 2014

CompostHeaderDuring We Compost Weekend you can fill a bag with vegetable waste and trade it with participating stores for a coffee, a tee-shirt, a pie, or… ready to use compost.

Currently Auckland City collects 1.2 million tonnes of rubbish annually, two-thirds of which is organic.1 Composted, this would become gardening gold. In a landfill, it breaks down into a concoction of greenhouse gases, mostly methane and CO2. Not so flash huh?

Auckland City does have a promising waste management plan however; kerbside rubbish bins will be reduced in size, and organic waste bins will be introduced during 20152.

While council needs to lead such initiatives, we really do rely on enterprising folk to continually activate, educate, promote, and inspire by example; otherwise policy can become a challenge of compliance – or worse, non-compliance.

So, you gotta love We Compost Weekend, the initiative that is designed to put a commercial price on organic waste, We Compost founder Steve Rickerby explained his motives to the Auckland Harbour News 3:

I want to start seeding a change so that people at home think twice before throwing away their food scraps.

By adding value to their waste he hopes to encourage people to think differently:

If they set up compost bins or worm farms at home, or encourage their work place to start composting, or tell their friends about it then it will be worth it.

I highly recommend you follow We Love Compost – get yourself a bag, fill it, and trade it this weekend – they will be posting a directory of stores/services where you can exchange or organic gold. Now that’s flash.





1 Auckland City Council, Get Your Rubbish Sorted 2013 – your guide to rubbish and recycling in Auckland

2  Auckland City Council, Auckland Waste Management and Minimisation Plan

3 Auckland City Harbour News, August 29, 2014

Grafix Knox – The Graphic Art of Chris Knox

Grafix Knox, a project to publish a volume of Chris Knox’s visual art, is currently seeking crowd-funding through Fundnation. Anyone familiar with Chris’s music – The Enemy, Toy Love, Tall Dwarfs, Friend (and other solo work), and latterly The Nothing – will know that his distinct visual art has always been integral with his music: cover art, posters, song videos (animation!), advertising etc.

I recall his first solo exhibition in Auckland’s Red Metro Gallery in the early 80’s, a lot of his canvasses were apple crates; if convention’s nose can be pulled, Chris is your man.

Chris has an expansive, half-a-dozen decades worth of eclectic work to select from: his Max Media strip, his illustrations and advertising art for Flying Nun Records, his own Jesus on a Stick comics, and his illustrations for Loose, Real Groove and The Listener magazines to name but a few. And as Gary Steele so rightly says in his Audio Culture profile of Chris, “Where to start with Chris Knox? He’s one hell of an entity”. Chris Mousdale, as editor of Graphix Knox has the enviable, but mammoth undertaking of selecting work for this book.

Chris has generations of music fans throughout the world, has been a movie reviewer for Real Groove and The Listener, a music reviewer for Rip It Up, host of a couple of art and film television shows, had that song voted as New Zealand’s 13th favourite song, has won an APRA Silver Scroll for ‘Best song of the year’, was made an Arts Laureate in 2009, and remarkably, since his stroke in 2009, has learnt to draw again with his left hand.

The aim of this post is to share some of Chris’s art that I am familiar with, in the hope it will encourage you to contribute – the reward will be well worth it; take a look at the links of Chris’s work posted above, and the images below (click for full image). The book will be an extraordinary collection.

2002’s Sound Design Exhibition included three Chris Knox album covers: the sublime Croaker, the auto-biographical Seizure, and the iconic Boodle Boodle Boodle for the Clean. The exhibition of UK and NZ album covers, presented by the British Council and AUT’s New Zealand Design Archive , was curated by Nick Bollinger; the exhibition designer, coincidently, was Grafix Knox editor Chris Mousdale.

Sound Design Croaker

Croaker, designer Chris Knox 1990

Sound Design - Seizure

Seizure, designer Chris Knox 1990

Boodle Boodle Boodle, designer, Chris Knox 1981

Design, Chris Knox 1981

Chris’s bold, neo-epileptic design for Seizure was utilized by Alec Bathgate for the Stroke album and associated artwork:


In 1999 Chris was part of the Loose publishing collective as comix editor. The magazine’s masthead is his design:Loose-Fear

Loose Logo

Issue one featured a number of his cartoons, including a strip to accompany the issue’s ‘Fear’ theme:





Issue two of Loose, with the theme ‘Colour’ featured a four page strip:





Next: Max Media, The Listener, Flying Nun and Forced Exposure

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